Jonathan Dalton

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  • Collected Poems

    Four and a half stars

    I don't read much poetry, and consequently feel a little guilty. But the fact is most poetry fails to grab me (possibly I'm reading the wrong poets?). Regardless: Sylvia Plath bucked this trend. Much of the poetry passed me by, perhaps demonstrating an inconsistent talent, and the juvenilia is probably for obsessives only; but the poems that stand out do so like great shards of glass stuck in skin. Has anyone written a more emotionally raw poem than 'Daddy'? These standout poems are compulsive; the voyeuristic flavour of intimate; they tear open the chest and bare the vulnerable soul, hurting though it may be. They move me and make any drop in quality elsewhere less important. If I could give four and a half stars I would.

  • Life Of Pi

    It's alright

    Initially I found this book quite compelling. It's basically a story of survival in implausible circumstances - a guy gets stranded at sea on a lifeboat with some deadly animals. How could he possibly survive? The trouble is, well, it's implausible. This would be fine - thrilling, even - if the story were true, or based on fact, but as far as I'm aware it's complete fiction. Which means that, his initial circumstance excepted, we're left with a protagonist blessed with incredible good fortune. To me this isn't particularly interesting - it's almost straying into deus ex machina territory. It's like writing a story about a guy who takes his dog for a walk along the frontines of a brutal and bloody war dressed in his pyjamas and survives only because he's really, really, really lucky. Is that interesting fiction? Maybe I've missed something. Maybe the philosophising at the end makes Life of Pi profound and justifies the previous two hundred pages. I guess "your mileage may vary".

  • South of the Border, West of the Sun

    Hm.

    For me this book is like a delicious looking meal that's actually made of cardboard. Sort of. Basically it looks good. Lots of nice quotes on the back; a tale of passion and love and lives ruined; an international bestseller by an author with a reputation for surreal literature - very appetising. But by the end I was unsatisfied. Sure, there are some classy sex scenes - and by that I mean sex scenes that don't make me want to clutch my face and stare at the sky wailing, 'why why why' - but beyond that there's not much that's memorable. Maybe I'm missing something. Maybe the characters have more to them than people whose lives are defined by their status as an only child. Maybe the translation is partly to blame - the writing often feels sloppy, the sentence structure awkward, the paragraphs overly long and rambly. Whatever. The main point is the cardboard meal simile. And yet, I still plan to read more by Murakami. I'm sure there's a way to extend the simile to cover thi...For me this book is like a delicious looking meal that's actually made of cardboard. Sort of. Basically it looks good. Lots of nice quotes on the back; a tale of passion and love and lives ruined; an international bestseller by an author with a reputation for surreal literature - very appetising. But by the end I was unsatisfied. Sure, there are some classy sex scenes - and by that I mean sex scenes that don't make me want to clutch my face and stare at the sky wailing, 'why why why' - but beyond that there's not much that's memorable. Maybe I'm missing something. Maybe the characters have more to them than people whose lives are defined by their status as an only child. Maybe the translation is partly to blame - the writing often feels sloppy, the sentence structure awkward, the paragraphs overly long and rambly. Whatever. The main point is the cardboard meal simile. And yet, I still plan to read more by Murakami. I'm sure there's a way to extend the simile to cover this but at the moment I'm struggling. (more)

  • The Horse Whisperer

    Wants to be Cormac McCarthy

    This book is a page turner but the influence of Cormac McCarthy's horsy trilogy (more commonly known as The Border Trilogy) is obvious and unfortunately Evans' effort is consumed by the greater talent of that author. Perhaps if Evans hadn't allowed McCarthy's books (and to some extent his writing style) to play such an influential role he'd have distinguished himself a little more: as it stands this reads to me as a bit of a cheap knock-off. It's still a page turner though - the plot actually lends itself to this moreso than McCarthy's horsy books do - and if you're able to put aside criticism and comparison and read it as-is I'm sure you'll enjoy it more than I. There're also a couple of sex scenes to spice things up, though the overriding memory I have of them is hair.

  • Cloud Atlas

    Good.

    Brief, disjointed review: Mitchell is extremely adept at writing great sentences. Using words you wouldn't expect, avoiding cliches, matching style to content. You may find yourself rereading sentences from time to time. However with all his books I feel something is lacking - perhaps it's his characters, who I don't feel are as sympathetic as he might want them to be. The standard to which their relationships and their presence - their 'realness' - are crafted often does not match Mitchell's technical ability. Still, it's a bloody great technical ability. This novel demonstrates that: six interwoven short stories (which incidentally serves as an example of how Mitchell's plots and characters don't quite stick, but I'll leave that) and six writing styles. In fact, these styles are so varied by the end of the novel I thought he was showing off a little: hey, I can write like this. Or like this. Or even like this. Wow, and look at this. Anyway. This review disproportiona...Brief, disjointed review: Mitchell is extremely adept at writing great sentences. Using words you wouldn't expect, avoiding cliches, matching style to content. You may find yourself rereading sentences from time to time. However with all his books I feel something is lacking - perhaps it's his characters, who I don't feel are as sympathetic as he might want them to be. The standard to which their relationships and their presence - their 'realness' - are crafted often does not match Mitchell's technical ability. Still, it's a bloody great technical ability. This novel demonstrates that: six interwoven short stories (which incidentally serves as an example of how Mitchell's plots and characters don't quite stick, but I'll leave that) and six writing styles. In fact, these styles are so varied by the end of the novel I thought he was showing off a little: hey, I can write like this. Or like this. Or even like this. Wow, and look at this. Anyway. This review disproportionately concentrates on the negatives - Mitchell is one of my favourite novelists and as such I pay far more attention to his writing than I do most other authors'. I recommend this book. Black Swan Green, however, is his best novel, in my opinion. It's also the one that sticks with a single character, which by circular argument means that the single character is strong enough to sustain a novel. Wow. I guess I didn't lie when I said this review'd be disjointed. (more)

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